The selected projects of the PQ STUDIO summer edition

A unique online version of the educational platform PQ STUDIO: Common Design Project was created in response to an unprecedented situation of social isolation caused by a coronavirus pandemic. Many student projects were cancelled so the Prague Quadrennial, in cooperation with the ATI (Arts and Theater Institute), decided to enter the process of educating young emerging performance designers creatively. We chose one theatrical text, and it is no coincidence that is Karel Capek’s The White Plague, which already 80 years ago discussed a situation dangerously similar to these days. We met with students at several webinars and one-on-one consultations and waited for what they would create.

“We are happy to report that we had the opportunity to connect with incredibly talented and inspiring young designers as they worked towards their final submissions to the Common Design Project 2020 Special Edition, summer term. Selecting the five finalists was indeed challenging. All of the proposed designs brought new creative ideas, and imaginative interpretations of the Capek’s play, The White Plague,” describing the leaders of the project Markéta Fantová and Patrick Du Wors.

Eleven universities and young artists applied for the summer semester of PQ STUDIO. The jury, composed of PQ Artistic Director Markéta Fantová, PQ Studio Curator Patrick Du Wors, and artist and lecturer Sophie Jump, selected the four projects. And here we bring you a sample of their inspiring creativity:

The Royal Central School of Speech and Drama

// Rebecca van Beeck, Sophie Altham //



Central Saint Martins: BA (Hons) Performance Design and Practice

// Jida Akil //



Royal Welsh College of Music & Drama

// Hannah Dramm, Josie Bellerby, Emeline Beroud, Joe Laftin, Tomás Pamer //



LCF: University of the Arts London

// Anrini Bhattacharyya, Margarida Da Silva, Shivani Kokkonda, Luiza Bordin Roithmann, Joana Domingues, Faye McKeever, Amy To //



Markéta Fantová and Patrick Du Wors are very happy the project sparked such interest among educators and students alike: “PQ Studio is an ongoing platform for education. We are delighted by the growing interest in this project, with a large number of participants for the fall term already registered. The PQ team is looking forward to presenting the final selections from both terms through a dedicated online gallery. This online gallery will launch in conjunction with the Karel Čapek symposium organized by the Arts and Theatre Institue, Prague, in January 2021.”

Under the curation of Patrick Du Wors, the PQ STUDIO Common Design Project already took place during PQ 2019, at a time when we could still meet face to face. Now the serious question of how to teach scenography online and work in a team with limited opportunities unable to work physically together in the studio is the challenge that drives us forward.

Theatre and Performance Design Journal on PQ 2019

The special issue of Theatre and Performance Design published by Taylor & Francis is out! Why is this issue so special to us? It is all about Prague Quadrennial 2019 with the topic of Imagination. Transformation. Memory edited by Jane Collins and Arnold Aronson with the foreword written by the PQ Artistic Director Markéta Fantová.

Content

Between material and perception: towards an aesthetics of scenography by Katherine Graham

Scenography 2019 in PQ Talks by Barbora Příhodová & Pavel Drábek

The show and gaze of intermedial interculturalism: a reflection on the curation of Otherness at PQ19 by Zheyu Wei

Porous realities, open scenography: a study of the Lebanese exhibition at PQ 2019 by Hadi Damien

Eloquent landscapes: some questions about curatorship and scenography through the experience of Catalonia’s participation in PQ19 by Bibiana Puigdefàbregas & Marta Rafa

One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site-Specific Performance Festival at PQ 2019 by Sophie Jump

Mixing realities: reflections on presence and embodiment in intermedial performance design of Blue Hour VR by Paul Cegys & Joris Weijdom

The scenographic potential of immersive technologies: virtual and augmented reality at the Prague Quadrennial 2019 by Lucy Thornett

Curating PQ Studio 2019 by Patrick Du Wors

Transformative power of spatial memory: an interdisciplinary approach to space as performance by Jorge Palinhos , Miljana Zeković , Višnja Žugić , Attila Antal & Eric V. Dela Cruz

Collaboration despite the tyranny of distance by Jo Briscoe

PQWaltz 2019. Waltzing to a resonance room: nothing ever came out of comfort zones by Anne Habermann , Anna Luyten & Saskia Valk // Visual Essey

Following the threads of scenographic costume at PQ19 by Susan Marshall

Fragments by Klara Zieglerova

Book review // Jaroslav Malina in scenography and paintingedited by Christopher Baugh

Book review // Costume in performance: materiality, culture, and the body by Annie Holt

Book review // Immersion and participation in Punchdrunk’s theatrical worlds by Adam Alston

See the whole issue here.

Photo: David Kumermann // 36Q°